Andrew Bolton discusses the underlying themes and importance of the upcoming exhibition. (Photo Credit: The Metropolitan Museum Of Art)

It’s not the first Monday of May, but the Met Gala is back on. And, for the first time in its history, it coincides with New York Fashion Week. and will be presented in two parts, In America: A Lexicon of Fashion and In America: An Anthology of Fashion. The first glamorous event will take place on Monday, September 13^th, however, this time it will be a smaller and more intimate soirée. (The fashion extravaganza was cancelled last year and postponed due to COVID-19.) While the highly anticipated affair will look a little different this year, there will still be a red carpet filled with magnificent fashion and celebrity sightings. The second part, In America: An Anthology of Fashion will have its red carpet moment on May 2, 2022.

Here is everything you need to know about fashion’s biggest night.

(Watch a video about the exhibition, In America: A Lexicon of Fashion. Film by Sterling Ruby for The Met).

WHAT IS THE MET GALA?

The Met gala is the fashion world’s equivalent of the Oscars. Designers, models, brand ambassadors and Hollywood stars assemble for one night out of the year to wear the most fantastical looks in celebration of the Metropolitan Museum of Art’s Costume Institute latest show. Most guests dress to fit the theme of the exhibit and the Met Red Carpet is something like the Greenwich Village Halloween Parade.

Katy Perry in Atelier Versace in 2018 for the Catholic Imagination theme at the Met Gala. (Photo Credit: Getty Images)

MET THEME 2021

“Veil Flag” by S.R. STUDIO. LA. CA., 2020, courtesy of Sterling Ruby Studio. (Photo Credit: Melanie Schiff)

This year’s Met gala theme celebrates American fashion. Andrew Bolton, the Wendy Yu Curator-in-Charge of the Costume Institute, felt it was time to reexamine American identity and fashion, especially as it has changed over the last several years due to both political and social justice movements. “I’ve been really impressed by American designers’ responses to the social and political climate, particularly around issues of body inclusivity and gender fluidity, and I’m just finding their work very, very self-reflective,” Andrew Bolton told Vogue. “I really do believe that American fashion is undergoing a renaissance. I think young designers in particular are at the vanguard of discussions about diversity and inclusion, as well as sustainability and transparency, much more so than their European counterparts, maybe with the exception of the English designers.”

THIS YEAR’S CO-CHAIRS

Left to Right: Met Gala co-chairs Billie Eilish, Naomi Osaka, Timothée Chalamet, and Amanda Gorman. (Photo Credit: Getty Images)

The Met gala traditionally has a number of co-chairs that help host the event every year. For this year’s 2021 Met gala it’s a list of the current Who’s Who: Timothée Chalamet, Billie Eilish, Amanda Gorman, and Naomi Osaka, while Tom Ford, Instagram’s Adam Mosseri, and Anna Wintour (who has chaired the event since 1995) will serve as honorary chairs.

WILL THERE BE A RED CARPET?

Yes! There will be a red carpet, although the affair will be intimate and will follow New York City’s COVID-19 safety protocols. On the iconic Met steps will be a cast of celebrities and guests in their outré ensembles.

DRESS CODE

Yes, the Met gala will have a formal dress code. On the 2021 invitation, the dress code is listed as American Independence. We are sure their will be many over-the-top variations on the theme from bedazzled American flag inspired looks to classic gowns created by American designers. We can guarantee that looks will be anything but boring.

ATTENDING GUESTS

Kim Kardashian in Mugler with Kanye West in 2019 regularly attend the Met Gala . (Photo Credit: Getty Images)

Part of the excitement of the Met gala is not knowing who will show up! Designers typically invite, as their guests, the hottest celebrities of the moment.

The exclusive invite list is always kept closely guarded until right before the event, but rumored guests include TikTok dancer Addison Rae, YouTube vlogger Emma Chamberlain, singer Camila Cabello, sprinter Allyson Felix, and British Formula 1 driver Lewis Hamilton.

Met Gala regulars Beyoncé, Jennifer Lopez and Kim Kardashian will reportedly be in attendance, but a New York Post Page Six article suggested that some big stars won’t be going this year. For example, Tom Brady and Gisele Bündchen due to Brady’s Buccaneers training schedule. Other Met gala regulars that will have to miss this year’s festivities are Sarah Jessica Parker, who has a scheduling conflict with her filming of the Sex And The City reboot. And Kate Moss and Saoirse Ronan who live overseas might be unable to attend due to COVID travel restrictions. Some European designers may not be able to attend, since they will be prepping for their own fashion shows.

One celebrity agent told the Post: “I think the big actors and the big fashionistas will come next year, when it returns in May. I also don’t think a lot of people feel like dressing up in ridiculously expensive outfits and putting on a mask for this.”

We will wait and see which celebrities make their dramatic red carpet reveal on September 13th.

THE EXHIBITS: Parts 1 & 2

A look from Prabal Gurung’s spring 2020 collection. Courtesy of The Metropolitan Museum of Art. (Photo Credit: Paolo Lanzi for IMAXTREE)

PART 1

The Met gala event on September 13th, A Lexicon of Fashion, will open to the public on September 18th at the Anna Wintour Costume Center at the Met, marking the Costume Institute’s 75th anniversary. The exhibition will be staged to resemble a home, with intersecting walls and rooms that will establish what Bolton calls “a new vocabulary that’s more relevant and more reflective of the times in which we’re living.” Part one of the exhibit will feature looks from Christopher John Rogers, Sterling Ruby, Conner Ives, Prabal Gurung, and Andre Walker, to name a few.

PART 2

The second exhibit, An Anthology of Fashion, will open to the public on May 5, 2022, and will be located in the period rooms of the museum’s American Wing. According to an interview with Vogue, Bolton and the museum’s curatorial team will work with American film directors to create cinematic scenes within each room that depict a different history of American fashion. (On May 2, 2022, a second Met gala will take place to celebrate the opening of An Anthology of Fashion.)

This two-part exhibition is one of the most ambitious that the Costume Institute has ever attempted to date. The exhibitions will explore the  question: Who gets to be an American? A red, white, and blue silk sash from the grand finale of Prabal Gurung’s 2020 10th-anniversary collection featured the phrase, and it will greet visitors from the entrance of the Anna Wintour Costume Center. It’s a question every immigrant considers—but wrapped in golden light at the onset of a fashion retrospective, it takes on a new spirit. “It was important to open with that,” says Andrew Bolton, in an interview with Vogue. “It tackles this notion of acceptance and belonging, which recent events have brought to the fore. Of course, these are questions that have always been present—but there are moments in history when they’re more resonant and resounding.”

Ensemble by Christopher John Rogers from his fall 2020 collection. Courtesy Christopher John Rogers. Image courtesy of The Metropolitan Museum of Art. (Photo Credit: Christina Fragkou)

In America, the museum’s two-part exploration of all things Made in the U.S.A., is a yearlong celebration spanning three centuries of fashion. The first part, which includes pieces from such American iconic designers such as Ralph Lauren, Donna Karan, and Calvin Klein alongside the current vanguard of millennial talent, such as Christopher John Rogers, opens to the public on September 18, with part two opening on May 5, 2022.

According to Vogue, In America, echoes the work Bolton has done expanding the Met’s archives to include more contributions from designers of color and marginalized groups—and though it serves as a retrospective, the show’s observations about national identity are rooted in current concerns. “It was almost impossible to do this show without looking at it through the lens of politics,” says Bolton. “There’s no art form that addresses the politics of identity more than fashion.”

Bolton credits 2020’s social ­justice movements as the prompt for him to reexamine the topic of terminology—​particularly when tackling such important issues—since, in the 20 years since the museum’s last overview of American fashion, discussions around style have changed. “American designers are at the forefront of conversations around diversity, inclusivity, sustainability, gender fluidity, and body positivity,” Bolton says in an interview with Vogue, “and the framework of the show enables us to focus on the younger designers who are engaging thoughtfully and deeply with those ideas.”

Cape by Andre Walker using Pendleton Woolen Mills, spring 2018 colection. Courtesy Andre Walker Studio. Image courtesy of The Metropolitan Museum of Art. (Photo Credit: Shoji Fujii)

During the height of the pandemic, when New York City was in complete lockdown, Bolton played with the idea of organizing the exhibition as a kind of high-tech house inspired by Witold Rybczynski’s Home: A Short History of an Idea—but wedging designers into categories in different rooms of the house. Bolton’s final inspiration, Reverend Jesse Jackson’s speech at the 1984 Democratic National Convention. “America is not like a blanket, one piece of unbroken cloth, the same color, the same texture, the same size,” he told the audience at San Francisco’s Moscone Center. “America is more like a quilt: many patches, many pieces, many colors, many sizes, all woven and held together by a common thread.”

“The act of making a quilt celebrates the notion of community that is so strong in America,” says Bolton, who adds that quilts also connect ideas about family and about repurposing and recycling. “Each square is a different designer, who represents a specific quality of American fashion.”

“Traditionally American fashion has been described in terms of the American tenets of simplicity, practicality, and functionality. Fashion’s more emotional qualities have tended to be reserved for more European fashion,” Bolton says. “In part one we’ll be reconsidering this perception by reestablishing a modern lexicon of fashion based on the emotional qualities of dress.” The many rooms in this part of the exhibit will be titled to reflect the personal and emotional relationship we have to fashion: “Well-Being for the kitchen galleries, Aspiration for the office, and Trust, the living room, for example.”

Bolton is writing a new history of American fashion that focuses less on sportswear and Seventh Avenue dressmakers, and instead presenting American designers as creators, innovators, and artists. “Taken together these qualities will compromise a modern vocabulary of American fashion that prioritizes values, emotions, and sentiments over the sportswear principles of realism, rationalism, and pragmatism,” he says.

The exhibit will feature approximately 100 pieces from about 80 labels, and designers and will range from delightful 1994 Anna Sui dresses to Christian Francis Roth’s 1990 “Rothola” dress. Obviously, the show will feature a number of quilted and handcraft looks, case in point, Hollywood costumer turned designer Adrian’s 1947 dress which references the floral designs found on traditional hand-sewn American quilts. Other noteworthy patchwork pieces include a custom piece from Emily Adams Bode made from a vintage quilt. Sweet floral looks are also part of the exhibit with looks ranging from Adolfo’s silk evening­wear from the early ’70s, to Marc Jacobs’s spring 2020 botanical theme collection.

Florals might be subversively romantic. Two good examples on the Nice Corridor Balcony at left, Adolfo 1973, proper, Marc Jacobs, spring 2020. (Photo Credit: The Metropolitan Museum of Art)

Part two of the exhibition, An Anthology of Fashion, will be shown in the museum’s period rooms. Themes such as 2004’s Dangerous Liaisons: Fashion and Furniture in the 18th Century will be shown in the French period rooms. And, 2006’s AngloMania: Tradition and Transgression in British Fashion will be set in the English period rooms. “In its conceptualization, part two actually preceded part one and actually inspired and informed it. For many years now we’ve been examining our collection to uncover hidden or untold stories with a view to complicating or problematizing monolithic interpretations of fashion. Our intention for part two is to bring these stories together in an anthology that challenges perceived histories and offers alternative readings of American fashion,” Bolton explains.

By engaging American film directors to create cinematic scenes within each room, Bolton and the museum’s curatorial team will illustrate a different history of American fashion, such as pieces from the midcentury couturier Ann Lowe and the work of African American designer Stephen Burrows. “Key themes will include the emergence of an identifiable American style and the rise of the named designer with an individual aesthetic vision,” says Bolton.  The exhibit will run through September 5, 2022 and is made possible by Instagram and with support from Condé Nast.

Anna Wintour and Andrew Bolton in the Metropolitan Museum of Art. (Photo Credit: Getty Images)

“For me, this past year confirmed what I’ve been thinking already—that American fashion is undergoing another renaissance,” Bolton says. As a fashion industry veteran, I thrilled to have the opportunity to witness fashion’s rebirth at the Met later this month.

SOME OF OUR FAVORITE MET GALA CELEBRITY LOOKS

Cher in Bob Mackie in 1974. (Photo Credit: Getty Images)

Bianca Jagger and Mick Jagger in 1974. (Photo Credit: Getty Images)

Iman in Calvin Klein, with the designer in 1981. (Photo Credit: Getty Images)

Naomi Campbell in Versace 1990. (Photo Credit: Getty Images)

Princess Diana in Dior in 1995. (Photo Credit: Getty Images)

Donatella Versace in her own design, with Gianni Versace in 1996. (Photo Credit: Getty Images)

Demi Moore in Donna Karan with the designer in 2000. (Photo Credit: Getty Images)

Sarah Jessica Parker in Alexander McQueen with the late designer in 2006. (Photo Credit: Shutterstock)

Kate Moss in Marc Jacobs in 2009. (Photo Credit: Getty Images)

Rihanna in Guo Pei Couture in 2015. (Photo Credit: Getty Images)

Beyoncé in Givenchy in 2015. (Photo Credit: Getty Images)

Kylie Jenner Balmain in 2016. (Photo Credit: Getty Images)

Zendaya in Dolce & Gabbana Alta Moda in 2017. (Photo Credit: Getty Images)

Lady Gaga in Brandon Maxwell in 2019. (Photo Credit: Getty Images)

So tell us, which celebrities would you like to see on the red carpet?

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By: Antonia Sardone
Title: THE MET GALA: A LEXICON OF FASHION
Sourced From: www.universityoffashion.com/blog/the-met-gala-a-lexicon-of-fashion/
Published Date: Sun, 05 Sep 2021 23:55:49 +0000

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